Questionable Time

Good morning Lemmings and gah! Who are all these young whelps with their dubsteps, Nintendoboxstations and soaring rates of unemployment? Oh Jesus, they’re the crowd and not only do they have all of the above, they also appear to be in possession of ‘opinions’ and much more scarily, the vote. Quite how this all happened I am not sure but here we are anyway… Let’s see if we can’t Questionable Time some sense into the little buggers.

It turns out that first impressions don’t count for very much at all…

Having recently been to a few gigs where I was acutely aware of being That Guy (you know, the conspicuously old-looking bloke who’s trying to mask his confusion behind an air of vague condescension, a pint of snakebite and a Dillinger four T-shirt) I thought I knew what I was getting into – yet within seconds of that opening shot where the camera pulls back to reveal the audience I realised that I was barking up the wrong tree. Where were all the neck tattoos and Zelda hair? How come no-ones sporting dayglo trainers and plunging necklines? Why aren’t my senses being assaulted by Lynx Africa and overly contrived synth-led breakdowns in the middle of otherwise serviceable metal songs? WHO ARE THESE PEOPLE?

Well, as it happens, they were the sort of young people who don’t knock about at the same venues as embittered thirty-somethings who are desperately clinging on to the illusion of youth. No, instead they all looked like rather well-adjusted types who decline invitations to get pissed in bus shelters on the grounds that their course work is due in six months time and to be honest, that didn’t sit well with me. “Great.” I thought as I desperately scanned the crowd in the hope of at least locating a solitary goth or maybe a Citizen Smith type. “The Chess Club have finally triumphed. Roll on the Snooze Fest”.

As it happens, my fears were misplaced and as the show unfolded I actually started to find myself getting a bit starry-eyed. It started with the guy who used the first question on internet surveillance as a vehicle to demand Blair be tried for war crimes. “Yes!” I thought to myself. “That’s exactly the sort of tenuous leap into the realms of absolutes that I would have made at your age! Go on son!” Then came the moment when the independence question dropped and neatly divided the audience into two equally belligerent opposing camps. From here on in everything went into panto overload with claps and boos drowning each other out – and it wasn’t just your standard ‘Hummener-hummener-hummener’ type chunterings that you tend to get with adult audiences either. These were proper boos, proper cheers, the sort of noises that people make when they actually believe in things and can envisage what a better world would look like. Lemmings, I hate to admit it but I think I may have experienced an emotion not a million miles away from ‘hope’ by the end of the show.

So that was all rather lovely but before moving on a pair of special mentions are in order.

1. The lad who had a pop at “Glorious England” and our routine persecution of Scots: It was a dumb move that saw him receive a righteous beat down but I will say this: There was an odd dignity in the way he took his licks. It was all in that look of resigned defeat that I like to call Opinors Remorse.

2. And who can forget the young man who posited that Scottish independence would bring us “one step closer to finding aliens” only to be rewarded with a volley of incredulity from none other than Dimbers? There’s a lesson in all this fellah, a lesson that I learnt the hard way: Those little scenes that play out in your imagination, you know, the ones where you get all Carpe Diem and dazzle everyone with your audacious whackiness? Yeah, they rarely work out like that…

Guess we’d better do some panel then…

I’ll keep it brief for the main three: Angus Robertson did The Big Man thing and did so with varying degrees of success, Ruth Davidson gave us another rendition of the Plucky Underdog and more-or-less got away with it while Anas Sarwar basically mulched his way through but did display a few rare moments of something-or-other.

As for the other’s, well the sight of seeing the UK’s two leading providers of demagoguery (one – Galloway – who sincerely and profoundly believes his own hype while the other – Farage – can’t believe his luck that others sincerely and profoundly believe his own hype) temporarily setting aside their mutual hostility and making common cause against the Tartan Peril was both entertaining and perplexing. It sort of reminded me of the Molotov-Ribbentrop Pact although I should point out that it (the Pact, that is) really didn’t turn out to be all that entertaining in the long run. Oh, and while we’re on the matter of Galloway, see Fig. 1.

Fig. 1

And Lesley Riddoch? Bloody good. So bloody good in fact that it rekindled this latent jealousy that I have for Scotland: Things like social justice and equality are treated as something to proud of there, not like in England where they’ve come to be regarded as some sort of pie-in-the-sky fairy tale. Damn you Scots, damn you and your faith in the collective good.

Tl;dr

Davidson: 5/10

(Is) Small

Robertson: 6/10

(Wants sovereignty north of Hadrian’s) Wall

Sarwar: 5/10

(Made it feel like a long) Haul

Galloway: 7/10

(Still has the ability to) Appall

Farage: 6/10

(Is ever the goof) Ball

Riddoch: 8/10

(Was up for a right good) Brawl

The Crowd: 9/10

(Should treat themselves to a pub) Crawl (but only when they are legally old enough to do so).

See that? 9/10? I must be going soft in my old age. Anyway, good episode and next week looks like a total belter as well…. Come on Brand, make sweet love to Melanie Phillips in front of a live studio audience. Right, that’s your lot – apart from a minor nag to go and visit my other site at some point. It’s weird, but… you know…

Next week Lemmings, next week…