Posts Tagged 'Stephen Twigg'

Questionable Time #55


questionable time 55 david dimbleby apocalypse now

Good morning Lemmings and what wares can I flog you today? Let’s see what I’ve got in this old cart of mine. Hmmm… How about a pair of fairly steady parliamentarians with a liberal bent? No? Too staid, too boring? Ok, what about a couple of ideological headbangers with a proven track record of winding each other up? Ah, I see… You’re still recovering from the Hitchens/Loach to-do a fortnight back and need something a little more nuanced. Well, I’m afraid that the only other thing I’ve got in at the moment is an unknown quantity so fresh to the scene that there’s not enough info on her to even throw together a Wikipedia article. No good? Tell you what then, I’ll do you the whole lot for five minutes of your time and throw in the denizens of Dover for free because I’m feeling generous today. No refunds though. Caveat emptor Lemmings, caveat emptor…

Last night was like Jaw’s: The Directors Cut

It’s one of the best closing shots in cinema – Rob Schneider and Richard Dreyfus, paddling their way to shore on the wreckage of their thoroughly over-sharked boat, elated by their triumph over the eponymous monster and no doubt looking forward to a hero’s welcome. The first few times I saw it, I was happy to let the implied narrative (that it will all be hunky-dory) prevail but on subsequent viewings I found myself strangely troubled. After all, the shore is an awfully long way away, their makeshift raft doesn’t really look up to much and one-dead-shark-does-not-a-safe-sea-make.

I bring this up because last night could well be a template for what actually happens at the end of Jaw’s and it goes like this: Chief Brody (as played by Ken Clarke) and Hooper (Stephen Twigg) are happily splashing their way to dry land when they notice that things are getting a little choppy. Members of the crowd start asking some difficult questions about immigration, a swell develops and the raft begins to list precariously. It’s cool though. They are – after all – both fairly centrist and socially liberal politicians who have spent many years charting these waters and by working together, they somehow keep it from falling apart. But wait… What’s this? The three fins of Crow, Phillips and James have breached the surface and are bearing down on the raft with great vigour, eager to rend flesh from bone with the incisors of anti-EU sentiment. A scuffle ensues. Blood is in the water, the wind is picking up as the crowd move the subject on to the economy and the sharks are circling once more. Tensions become frayed between the two of them. Twigg looks like he wants to shove Ken off the raft but Ken’s inability to endorse Total Austerity with a straight face spikes his gun and they paddle on, praying that something will save them.

Suddenly, Twigg thinks he sees a way out. The third question is about whether UKIP are a threat to the Tories and this could potentially be a life saver: Make common cause with the sharks, serve Ken up to them and then get away while they’re dragging him to the seabed. Unfortunately for him, it didn’t quite work out like that and a jostle about who was to blame for the credit crunch ended in Clarke’s favour. That was of no consequence to the sharks though and once again they launched coordinated attacks from opposite ends of the spectrum. Ken and Twigg’s prospects darkened further as the weather takes a turn for the unhinged: A women in the crowd starts making rash and rather convoluted claims about immigrants that stokes a further surge of ill-will and all appears to be lost. Brody and Hooper: They ‘ain’t never going to make it back.

But then something miraculous happens. As if from nowhere, the subject of the Catholic church arrives and in an instant, our scene of frenzy finds itself becalmed. Melanie Phillips suddenly gets a little rational, Crow makes all sweetness and light while James plays it safe and the formally rabblesome crowd become a picture of tolerance. Relieved, exhausted and a little perplexed, Clarke and Twigg regain their hold on their battered raft and lash it back together with some pleasingly mellow platitudes about other people’s morals. They make landfall, the credits roll and everyone can look forward to being disappointed by Jaws 2.

Yeah, I preferred the original to be honest.

Diane James is still largely unknowable…

During my mainly fruitless hunt for info on James, I did notice that one word kept coming up: ‘Unflappable’. On the whole, I’m inclined to agree as for a first performance, this wasn’t bad at all. Granted, Dover did seem especially receptive to the UKIP line and her explaining away of the 4 million Bulgarians was a little dubious but still, she did manage to sound more together than your average Kipper. Mind you let’s not get carried away as my basis for comparison here is Farage. Most things look pretty ‘together’ when stacked up next to him.

I feel a little cheated by the Phillips/Crow love-in…

Ok, so it wasn’t exactly a ‘love-in’ but I was a little bummed that these mutually antagonistic parties set aside their differences in order to box the ears of Clarke and Twigg. I’m also strangely and perversely bummed that Phillips is ever-so-slowly losing her teeth. Sure, she got fair vexed by the whole EU shebang, but it wasn’t a patch on her mid-War on Terror heyday. Back then, no one could out-crazy Phillips, not by a long shot and in odd way, I miss that: Nothing’s more comforting than absolutely, 100%, knowing your enemy. Now it’s 99% and petty though it sounds, I miss that 1%. Now here’s a.gif of what her computer desktop may or may not look like to prove that I haven’t forgotten about her glory days (see. Fig. 1).

melanie-phillips-wallpaper-gif

Fig. 1

Tl;dr

Clarke: 6/10

(Got rather) Red (around the face)

Twigg: 6/10

(Narrowly avoided being) Fed (to the sharks)

James: 5.5/10

(Could soon become quite) Widespread

Phillips: 5/10

(Still fills me with) Dread

Crow: 5/10

(Has an intimidating) Head

The Crowd: 5/10

(All live in a) Shed?

Alright, so that was a rather raw and bruising episode that raises some awkward question about why a town so completely dependent on open borders despises them so much. I’ll let you figure that out because right now it’s 4:02 AM, nothing’s making much sense and I know for a fact that the Frau Ribs just loves to be woken up by the sound of trodden-on-cats.

Next week Lemmings, next week…

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Questionable Time #14


questionable time 14 david dimbleby

Good morning Lemmings and brace thyselves for I have a confession to make: I think I might be developing a strange affinity with Baroness Warsi. Now, before you all run away in horror (I can hear a thousand laptops clacking shut in my head right now) allow me to explain: This isn’t an affinity based on any sort of shared worldview or spiritual kinship. Instead, it’s entirely circumstantial and stems from the fact that the very first Question Time I ever covered also happened to be Warsi’s first outing on Grown Up QT (she had previously been on the panel for the 2007 schools edition) and as a result we have a shared history. It’s like starting a new job on the same day as someone else. You may well dislike them intensely but for better or worse, your fates are somehow bound up together and whatever latent animosity you may feel for the person in question is always tempered by the memories of that first day.

So yes, Warsi and I have a shared QT career and as a result I’ve had the dubious honour of watching her technique develop over the years. In the early days this worked heavily in my favour as the Baroness always came with a cast iron guarantee that she would say something stupid and provide me with plenty of material to poke fun at. Most of the time this would involve a scenario where she’d open with a point that the crowd seemed to agree with before utterly overplaying her hand and painting herself into a usually hilarious corner (‘doing a Warsi’ as it came to be known). However, judging by last night’s performance, this isn’t so much of a problem any more… Ok, so she did get tangled in the rigging of the Royal Yacht question and also managed to cancel out her own argument when she got cajoled into admitting that a weak opposition is bad for democracy, but we’re not talking about the Black Hawk Down-esque scenes that regularly accompanied her earlier appearances. In short, she’s finally learned to rein it in a bit.

So credit where credit’s due, this is an improvement but let’s not get too carried away for like Alan Greenspan I have found a flaw: She’s now started getting really personal. The main recipients of this new and frankly frightening tactic took the form of Stephen Twigg and Caroline Lucas, both of whom were treated to sustained assaults that usually started with Warsi invoking their name and following it up some form of ‘you of all people’ accusation. Now, when deployed sparingly this can be a fruitful avenue of attack but the important word in that sentence is ‘sparingly’ and it’s a word that appears to be largely lost on Warsi. Instead it became her go-to method and that just left her looking a little petty. True, ‘petty’ is preferable to ‘wildly out of control’, but it still took the sheen off an otherwise improved performance. So keep trying my little coincidental fellow traveller for the road is long. With many a winding turn. That leads us to where – oh enough already.

Moving swiftly on (as dwelling on my feelings towards Warsi is starting to feel a little weird) I think it’s fair to say that both Lucas and Twigg put in pretty solid performances last night but performances that were not without their blemishes. In Lucas’ case it appears that the Falklands was her downfall as she had a real problem with trying to shoehorn the circle of self-determination into the square of pacifism. However, I’m inclined towards leniency as she did put in the hours when it came to questions about the economy and she punches above her weight for a one-person-party. As for Twigg, well he proved to be pretty nimble but not nimble enough to outsmart the ‘what the hell are Labour for’ question. In fairness to him though I don’t think even Houdini could have escaped from that one as right now no-one knows what Labour is for, least of all their frontbench politicians. Apart from that though I can’t find much to quibble about as it was a generally proficient performance.

Next up are the civilians and I must say I was pleasantly surprised by Germaine Greer and Charles Moore, both of whom confounded my expectations. In the case of Greer I suspect that this is because she seemed to be in a very good mood last night and kept the finger wagging/scowling to a minimum. Ok, so she did try her usual trick of forcibly wrenching questions from their contextual habitat so that she could bang on about something only tenuously related but it wasn’t laden with the matronly hurumphing that she can be guilty of. And as for Moore? Well although he completely lost me towards the end with his love of all things regal I must say that he was a picture of fairness when it came to the Labour question and his outburst of mischief when he fingered Chris Huhne as the yacht leaker was pretty entertaining. It also reminded me that he wrote this article last year. If you have the time, give it a look because it knocked me sideways to hear an ex-editor of both The Telegraph and The Spectator talk so much sense.

Finally, we have the crowd and – much like the panel – I can’t find many sticks to beat them with as they displayed a level of buoyant vocality that served this episode very well. Oh wait, I’ve just remembered that I do have one crowd beating stick up my sleeve and that’s the tartan jacket worn by the Royalist lady. Man, that thing was so overpoweringly tartan that I hardly slept last night, wracked as I was by visions of intersecting black and red lines every time I shut my eyes. Post-Tartan Stress Disorder, it’s serious business.

Tl;dr

Warsi: 5/10

Learning

Twigg: 6/10

Earning (his dinner last night)

Lucas: 6/10

Turning (out to be pretty good)

Greer: 6/10

Churning (out her usual stuff, but in a very reasonable manner)

Moore: 7/10

Concerning(ly good)

The Crowd: 6/10

Gurning (from exposure to weapons grade tartan)

Oh and by the way, just before I go some of you may be wondering why you haven’t come across a tenuously funny/topical photoshops yet. Well, I’ll be straight with you, some weeks the photoshopping is a breeze and sometimes it’s a nightmare, mainly on account of the panel. For example, should Nigel Farage or Chris Bryant be on then you know it’s going to be a doddle as the internet is teeming with ridiculous photos of them. This lot however are not so forthcoming. Ok, so there are plenty of back-in-the-day shots of Greer looking counter-saucy but any resulting manipulation would just look bitter and all the good ideas I had involving the Royal Yacht were soon put off-limits by the Costa Concordia disaster. However, I am a martyr to my cause and I did manage to cobble something together. The problem is that it’s just so ridiculous that it didn’t really fit in anywhere so I’ve decided to bury it right at the bottom. Lemmings and Gentlemen, I give to you Stephen Twigg getting his sandwich stolen by a fishing rod wielding Caroline Lucas (see Fig. 1). I just work here, ok?

stephen-twigg-caroline-lucas-fishing-sandwich

Fig. 1

Next week Lemmings, next week…


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