Good morning Lemmings and welcome back from the 2nd Silly Season That Never Was. That’s right, much like last years kyboshing of the pleasingly trivial under a wave of riots we have yet again had to forgo our annual dose of sharks off Cornwall/pets with bus passes/octogenarians skateboarding as August’s news went from ‘Becalmed’ to ‘Totally Mental’ courtesy of one Mr. Assad. So anyway, what better way to pick through the fallout like abandoned newborns, fumbling our way through the thinning light of Autumn than with a spot of Questionable Time? Actually, there’s probably plenty of better ways but since I’ve been off for a couple of months and have forgotten how to write you’ll just have to figure that one out yourselves. Right, let’s get back into the swing of this.
Chuka really has to stop thinking…
Regular readers will know that there are two things about Umunna that I bang on about relentlessly: The first is how ridiculously good-looking he is while the second is just a general perplexion as to how this otherwise seemingly perfect package never manages to add up to the sum of its parts. We’ll get back to the first point later but right now I want to focus on what it is that keeps me from getting giddy over Chuka.
As things go last night was a particularly choice moment to be the Red Team’s meat puppet as the two big issues of the day – Syria and Royal Mail – both saw them on the right side of public opinion and by quite hefty margins. Add in to this that the whole Royal Mail deal is in his remit then this starts to look like a milk run: Just get as much canvas up the mast as possible and then sit back as the crowd sweep you on to glorious victory. What could be easier? Technically speaking this is exactly what Umunna did and barring a few bothersome squalls thrown up by Greening and Aaranovitch it was mostly plain sailing. However, it didn’t feel like a victory and I suspect there are two reasons for this: Latency and authenticity, both of which are related.
Let’s start with the latency: This refers to that near-imperceptible pause that Chuka always does before launching into a set piece. It’s so short as to be barely noticeable but once you’ve clocked it it’s impossible to ignore and it ended up really bothering me last night. Why? Because it was particularly prevalent when he was trying to play the Indignant Card. Take for example Greening’s rather low blow about his house and family. Now, if you really wanted to be properly indignant about that you’d probably just tell her to shut up but Chuka went for the high ground instead and why not? After all, that’s where the big claps are. The problem is with that nano-pause: It’s like a little click that tells you that his mental filter is going like the clappers, desperately trying to prune out anything that may sound off message and that pretty much sinks the whole indignation play because to be indignant is to be so angry that you simply aren’t capable of keeping a lid on it.
All of which leads us to the second problem: Authenticity. You can look the part, have the right back story and say the right words but unless those words truly feel like they’re coming from the gut people simply won’t believe it. Umunna has all the above but he’s still so utterly ruled by his head that what should be a three-piece suite is little more than a very good-looking sofa and a couple of armchairs.
And what of his good looks? Well, I ran a little pshop experiment earlier this week to see if I could make him ugly. Annoyingly, he remains vaguely beautiful throughout (see Fig. 1).
One of these days Greening is going to snap…
If it wasn’t hard enough being a fairly ordinary person who went to an ordinary school and had an ordinary job before joining a party that abhors ordinary people Justine Greening also has to contend with being somewhat accident prone (see Dimbers’ malevolent jibe about missing the vote) and this combined pressure is beginning to tell. You can see it in the way she sits – rigid and not too far away from the brace-for-impact position – as well as that hint of annoyance that she only just manages to keep in check. Give it time Lemmings. It may not be tomorrow, it may not be next week but at some point in the not too distant future I can see Greening just totally losing it and flipping out. Hopefully Chuka will be around to pick up some pointers on how to be authentically indignant.
Two out of three remaining panelists couldn’t give less of a toss…
In further contrast to Umunna’s overly-stroked chin we now come to a couple of people who seem to have crossed some mid-life Rubicon and are now revelling in their off-the-hookness. The first is Caroline Lucas who since jacking in the role as Green Party leader has been having a gay old time getting arrested and breaking parliamentary dress code while the second is David Aaranovitch – a man seemingly hellbent on refuting everything his younger self stood for in a fug of grumpy crotchetiness. Anyway, this whole devil-may-care outlook works for the pair of them and what we ended up with was a lively and well argued debate on the Syrian question that reminded me that QT does occasionally do what it says it says on the tin. No such luck though for Colleen Graffy– an important sounding person who sounds like she’s got important sounding things to do – as I’m pretty sure that everyone mentally tuned her out as the words “former so-and-so for the Bush administration” were uttered. There are some things you just don’t want on your CV.
The Crowd: 5/10
Well, that’s that: A passable warm-up momentarily enhanced by a man with a gothic mansion of a hairdo bellowing “A RECOVERY FOR WHOM?!?!”. For whom indeed sir… Anyway, it’s nice to be back and should you fancy a go yourself Questionable Time is currently on the lookout for guest writers. However, if thankless toil is not your cup of tea then feel free to busy yourself by looking at pretty pictures of misheard lyrics or buying one of these magnificent creations. Hey, a boy’s got to eat ok?
Next week Lemmings, next week…